"Lord Hear My Prayer" by Second Chance (Rap/R&B Artist from California (CA))

"Lord Hear My Prayer" is the debut two-song EP from Christian hip-hop artist Second Chance. Second Chance's story is one of overcoming all odds, coming close to dying over and again, repeatedly surviving, and finding God. These two songs showcase the new life, the "Second Chance", of a former gang member. Through clean, original, and well-delivered hip-hop vocals, Second Chance delivers inspirational and encouraging songs of love, of others, of yourself, and of God. The recording quality of "Lord Hear My Prayer" is great, adhering to the full potential of the great hip-hop arrangements and lyrics. The title track, "Lord Hear My Prayer" has a smooth r&b opening then moves into a great hip-hop arrangement with intimate lyrics between Second Chance and God, also featuring the smooth and soulful backing vocals of Brenton Wood. "There's Something About Your Love" has a funky arrangement with a nice beat, with another inspiring vocal from Second Chance and great synthesized backing vocals from Rufas Troutman. This two-song EP is a great introduction to Second Chance and leaves the listener in eager anticipation for more. Fans of hip-hop with largely Christian-oriented positive messages, give Second Chance a shot.

-Chris and the RadioIndy.com Reviewer Team
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"Every Smith Ever" by Every Smith Ever (Rock/Hip Hop Artist from Maine (ME))

"Every Smith Ever" is the self-titled release from the group composed of vocalist/guitarist Chris Moulton and the beatmaker/producer known as Elsworth. This duo delves into many styles and textures with their highly experimental blend of soul, rock and hip hop. "I Would and We Did" is a strong opener, playing to the strengths of each member of the duo. Moulton's vocals soar and are delivered with emotion. The inventive programming of Elsworth is also on full display with an intricate, shuffling groove providing the pulse. "Kansas" is a raw, funky track with a heavy backbeat over densely layered vocals and a sparse piano motif. "What!" and "Scaring Grampy" feature a hypnotic, slow groove coupled with daunting, melodic vocals. "The Ballad of Dead Young Men" is a stylish, melodic track that features march-like sections and well-delivered vocal harmonies. The unnerving "Confession Breath" is of a more experimental nature, with Elsworth bending pitches and a chilling vocal performance by Moulton. The self-titled "Every Smith Ever" delivers soul, rock, and hip hop with an experimental character, spanning the range of moods, textures, and feels of their sound.

-Rodney and the RadioIndy.com Reviewer Team
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